Dalí, Ernst, Miró, Magritte ... : Surreal Encounters from the Collections Edward James, Roland Penrose, Gabrielle Keiller, Ulla and Heiner Pietzsch
HAMBURGER KUNSTHALLE Germany | Hamburg
OCTOBER 07, 2016-JANUARY 22, 2017
Dalí, Ernst, Miró, Magritte ... : Surreal Encounters from the Collections Edward James, Roland Penrose, Gabrielle Keiller, Ulla and Heiner Pietzsch - Hamburger Kunsthalle
With the major exhibition Dalí, Ernst, Miró, Magritte ... the Hamburger Kunsthalle is presenting more than 150 masterpieces of Surrealism (some have never travelled) from four of the most renowned European private collections of the 20th century. World-famous icons like the Mae West Lips Sofa (1938) and a four-meter-high folding screen designed by the young Salvador Dalí, thought-provoking images by René Magritte like Not to be Reproduced (1937), poetic form creations by Joan Miró and future-oriented pictorial experiments by Max Ernst. Renowned artworks are featured beside works yet to be discovered, like those by the little known surrealists Leonora Carrington, Dorothea Tanning and Leonor Fini. With brilliant works of all artistic media, the exhibition seduces the viewer, just as the Surrealists sought to do in the 1920s, to enter the fantasy worlds of the subconscious. Until today these works have lost nothing of their shocking and surprising, their humorous and fascinating appeal.
Surrealism, the most influential art movement of the 20th century, thus can be experienced in an unprecedented scope. At the same time, the exhibition, providing insight into the development and quality of four of the most legendary 20th century collections of Surrealism, brings forth a new focus in research: In »surreal encounters« between the works, artists and collectors, the show explores the differences and similarities in collecting behaviour and developments of the art market over a period of 50 years. It allows us to comprehend how and why the collector integrated surrealist thinking into his home, and for the first time illustrates the complex relations of collectors, supporters and artists with regard to Surrealism.